I definitely think there is something to the seasoning the sap in the wood theory. Like when pine or spruce sap is sticky and viscous compared to hard and brittle. And I think there is something to the underwater and/or mud seasoning thing too. like exchange of minerals or something. There are some who speculate that part of the reason Stradivarius (and other violin makers from his time period) violins are so special is because (not only age seasoning) but in that time period they stored lumber and the tone woods submerged in water in Venice and that added a special (mineralization or whatever) quality to the wood that enhanced the tone. I don't think they did it for THAT reason or even KNEW it would enhance the sound, that was just a common practice of the day. That is still evident in areas of the Mississippi and other rivers and lakes today where they pull logs and trees out that have been submerged for over a hundred and fifty years and cut it up for lumber. You'll never see lumber like again.
I also think there is something to the tone pitch thing. I also will hold a bow about a third of the way down from the top and tap on it lower down and listen to the tonal harmonics (it's a guitar maker thing). Haven't quite figured out the correlation yet but if I don't get a nice tone, i suspect something is off. It is also evident when you pluck a braced bow string, You'll either get a nice tone or a flacid blubbery sound which makes me think one limb is not resonating with the other properly. After all, I gotta think the bow was first stringed instrument in history.
I also go for tone when I change a band saw blade. Pluck it and tighten it till I get a nice "B" note