I wouldn't be anywhere near as high as you might find on the design in the diagram. It is not the reflex that makes it high it is the flat profile of the limbs
Ah so I pretty strongly disagree with you there. Not to say that the flat profile of the limbs doesn't matter, but the reflex will be a huge part of the string tension at brace.
I've posted a relevant pic on these forums before.. let me dig it up.
Ok bow C is fanciful, but it works fine to show my point. These 3 bows are the same draw weight. They have identical profiles while braced and at full draw. But they are very different when unstrung.
It should be pretty obvious that bow A will have low string tension at brace. It barely has to bend to get to brace. Imagine the experience of stringing it. If it were any more deflexed, the string would be slack.
Add a bit more reflex to bow A, scrape the belly some, and you get straight bow B. You'd have to use a bit more muscle to string this one. When you string it, you bend the wood halfway to its final full-draw bend. That string is taught.
Just keep going. Adding reflex. Making the limbs weaker to maintain the same draw weight. Hope your materials are
real good.
Eventually you get to bow C. To brace bow C, you have to bend the bow like 80% its final bend. That thing is wicked straining to go back. With like 80% of its might. The string tension will be enormous. With this bow, the stress the wood (or more realistically: some other material) feels from brace to full draw doesn't even change that much.
I put it to you that the difference reflex makes to string tension at brace isn't subtle, but huge.
Edit: Disclaimer. I'm not advocating any of these designs, just illustrating a concept.