This is one page from Adam Karpowicz book.
The glue must gel before sinew begins to visibly dry, which is around 2-4 hours depending on the ambient humidity. The gelled,
solid glue holds sinew in its proper place on the bow, not allowing it to shift or pull-off from the core as it dries. With no gelling, the
limbs would require wrapping with something like a bandage or rubber bands. Such devices can either impart an undesirable
texture to the dried sinew or prevent the drying altogether. The Turkish bowyers never did that, on the contrary, Kani wrote bows
were hung close to the ground after sinewing – obviously to take advantage of the cooler air to make the glue gel. In the Korean
method the glue-saturated sinew bundles are put aside wrapped in wet cloth to cool off and gel, before applying to bows. The
Chinese did the sinewing in the winter. According to Taybogha (Syria, 14th c.) bows were sinewed in early spring, again to take
advantage of cold air in the otherwise hot climate. The method by Klopsteg of laying sinew in a “Turkish bath” may have merit,
provided the bow is transferred to a cold room to make the glue gel after the operation is finished. I need not mention the layer of
sinew should be allowed to dry in a temperature well below 35 degrees Celsius, otherwise the glue would liquefy, again
endangering the integrity of the sinew layer.
To make glue, the same amount of dry weight as sinew is mixed with water for 20-25% concentration. In the dried sinew layer
the glue content ranges from 30 to 50%. Too much glue is not desirable, because it adds dead weight. Too little glue, on the other
hand, weakens the bonding with wood and lowers the cohesion of the layer, resulting in air pockets within it. I sometimes use a bit
more concentrated glue for the first layers and then less concentrated for the last one. In most old bows the sinew layer had the
texture very much like sinew in new bows. In one unfinished bow however, still tied in its pretzel shape, sinew did not even show
the fibrous structure, possibly due to either a very high amount of glue, or the aging process, where sinew “fused” with glue over a
long period of time.