Thanks Bubby, Willie. I could lose this board and pick another board in the stack for the ash, with any grain orientation, depending on where it was sawn on the log, even quarter sawn.
But, just to clarify, the ring lines on the sides of this board are very straight, evenly spaced, and nearly parallel with the face. To me that would mean there isn't any spiral grain. If there was spiral grain, I think I'd see angled ring lines with a positive angle on one side and the opposite angle on the other. Like if you ripped a board out of a barber pole. Viewed on edge the stripes would angle.
Also the figure on the back runs down the middle of the board and doesn't curve, which would mean the tree's camber was also straight and was located over the board centerline. The figure does show the center grain wanders up and down a little (the rings are finely spaced so even a tiny amount of wander will create figure), and I don't know how serious that is. But almost all ash will show that figure in a flat sawn board. On this one, the figure is relatively even in width, rather than tapering, meaning that the board was cut parallel with the bark, rather than angling through the log. I dunno seems to me it's the best I could ever get from a flat sawn ash board.
I can imagine quarter sawn would give a more homogeneous back, but I just wonder.... seems like people often make successful ash board bows, and I wonder if they are all quarter sawn.
BTW the photo of the end grain is confusing because I turned the board over apparently, compared to the overhead view (of the back).