Power lam is a lamination around 12"-16" long that you can put between the back and belly slat, under the riser and fades, just into the working part of the limb. It has tapered ends so it blends in seamlessly when the belly slat is glued over the top of it. Effectively a core lam only for the riser area, rather than the whole length of the bow, beefing it up in thickness especially near the fade area. Now If you need to thicken the riser for a good handle it will be further away from the fade, less potential for lifting if you use a non rigid glue.
Hey Squirrels, I can only say I learnt the hard way in my early years of bowmaking, using hardware grade epoxies, and titebond for risers and having problems. To be fair I had more success with titebond 3 than the cheap epoxies. With the titebond the join problems were cosmetic, never in threat of failing, just tiny lifts at the sharpish points of Torges style handles.
My friend who came from a fibreglass bowmaking background, said he used epoxy and never had any problems, with his foray into all wood, board bows, with glued on risers. He used an industrial grade, after I tried it I discovered dried to a glass hard surface, unlike what I had been using before. Not all epoxies are equal, for high stress purposes. Never had a problem since, with the industrial epoxy, or ever with urac on risers.
Dean to the best of my knowledge uses only urac or resorcinol, and they are much more rigid than than titebond, and will work with virtually any design gluing on risers. I prefer his style of bow over the true flatbow. Semi flatbow has a much more organic, artistic feel and look to it, no hard corners.