"I set my bows up symetrically with the center of the 4" handle the center of the bow. Generally the arrow pass is about 1" or slightly more above center. My bow is centered on the tiller tree and I pull from the center of the tiller string but I leave the lower limb slightly stiffer than the top."
I have a couple questions for those that do it this way... if the center of the bow is the center of the handle and the handle is 4" wide, wouldn't it be impossible to have the arrow shelf/pass any closer than 2" above bow center?
Also, how do you KNOW the lower limb is slightly stronger than the top? By measuring from somewhere on the limb to the string? By judging by eye? The reason I don't rely on these as accurate gauges of relative limb strength is... the slightest difference between the limbs, some of which may not be outwardly visible, means that while we may leave the bottom limb 'appear' stronger, or 'measure' stonger, it might not actually BE stronger, i.e. ACT stronger. ...Hey, there's a chance "leaving the bottom a little stronger" may get you in the ballpark... if both limbs are identical in their inherent strengths, shape, side profile, and while unbraced, both tips start equadistant in relation to the handle, etc... but unfortunately such things aren't always the case.
So that begs my next question... What if there's some type of difference between the limbs themselves, such as, one limb has reflex and the other is straight or has deflex? How do you measure, or eyeball, such a bow throughout the process of tillering so that you KNOW you'll be maintaining limb harmony during the draw and return to brace with specific holds on bow and string? How will the limb's strengths, relative to one another, reveal themselves to you? To what degree of accuracy? And when?
Another question that comes to mind is... Why. Why pull the string from the center of the handle on a symmetrical bow, or ANY bow for that matter, when it's impossible to shoot it that way? Why not simply pull it from where you'll shoot it, when doing so directly reveals, addresses and/or eliminates many of the possible hurdles en-route to an expertly tillered bow? ...of ANY shape or design, or with inherent/internal limb differences. Help me understand. Is it because it's easier to judge the arcs in the limbs?
Some folks are bending and training the limbs, closely critiquing them, and doing their very best to 'tiller' them, while pulling them from a spot on the string 2" from where it will be shot... ever. That, along with the fact that the farther "a little stiffer" is from true limb syncronization, the more erratic the arrow's flight, the more handshock, and the more the resulting wood 'confusion' can help cause tiller shifts during the bow's early life, and who knows what else... because they simply weren't trained to be used that way. So then what? Flip the bow and see if it's any better? hope THEN that the tiller holds? Make adjustments to regain some arbitrary measurement that may have not been the best thing for the bow to begin with? miss target draw weight due to corrections, further confusion of the wood, and perhaps cause unnecessary set in the process?
If I had to do it THAT way, I probably wouldn't want to use the tillering tree either
The way I'm currently going about it... which I'm not saying is perfect, or the way everyone should do it... has and will continue to evolve as I gain understanding. But as it stands now, when the bow's limbs are out of sync in relation to how the bow will be drawn and shot, I know it on my maiden voyage to the tillering tree, immediately, with the slightest tug on the long string. I'll take it back to the bench and begin harmonizing the limbs right then.... removing wood from any stiff areas I may have noticed... if none were yet visible with so little bend in the limbs... I'll remove wood along the stronger limb's entire length. Once they're in-sync, I'll continue on, doing my thing tillering, bending, training, inching my way down the tree, while keeping an eye on their harmony and making the adjustments needed to maintain it.
If, for instance, I do a little work on a stiff area on one limb, and the hook invariably strays from the line as a result, it often takes VERY little wood removal from the opposing limb to bring them right back in sync. So very little in fact, that it shows me just how delicate and precise an operation this can be, and with that, I don't think there's any way I could get it this close by setting and keeping brace height to a predetermined measurement, by measureing limb travel, or by guessing, which in reality is what "leaving the bottom limb a little strong" is, let alone as-accurately critique and gauge corrections by the 'feel' of the bow's balance during the draw.
Ultimately, the proof is in the puddin'... When I'm done, after reaching full draw with timed, tillered, and excercised limbs on the tree... I have YET to have a bow feel anything but perfectly balanced in my hand upon the first draw. From the first amount of pressure I put on the string as I begin the draw... all the way to anchor... it pulls the handle unequivocally straight into my hand without the slightest hint of tipping either way, and the arrows fly great from the nock point I determined before the bow was begun. I guess such consistant, positive results within a range of bow designs and shapes are what has instilled my trust and confidence in the tillering tree the way I use it... and why I don't have a need to try to 'feel my way' during tillering.
There's a lot going on while tillering, and more than one way to skin a cat most times, but I'm trying to simplify it while remaining versatile by seeking and utilizing the most straight-forward tillering method to achieve syncronized limbs, predictably perfect arrow flight, and the most balanced, smooth shooting bow I'm capable of... with no backtracking to fix tiller shifts, without missing target weight, and without trying to adjust for untimely limbs and the resulting poor arrow flight by moving the nock point around... regardless of whether it's symmetrical or not, regardless of limb differences, and with a variety of grip and string holds.
Sorry... didn't mean to write a book there
I should probably be shocked if anyone decided to try to follow me through THAT mess
I'm goin to the shop to clear my head.... find my 'center', if you will