Yeah I love percussion work, its the fun stuff for sure. I usually do a set of thinning flakes as you have in the pic then take out my deltas with lighter hits to keep the covexity good then decide which face I need to work next and set up a platform because my edge is usually to thin at that point to get a good thinning flake. At this stage you can set up platforms quick by holding your bopper straight up and down more like a hammerstone and doing short strokes straight down much like you would with a pressure flaker. Like I said before when you start to get real thin and want to take it a little farther Isolate your platforms by taking a few pressure flakes on either side of your platform. Preferebly your plat forms should be set up to take out a ridge and spaced out a half inch or more. Support is everything
Convexity is KING! Remember to grind your platforms well and keep that dust on there for bite. And dont be afraid to take your pressure flaker out to cleen up your biface to keep good convexity. Basically the same thing Shannon showed you just on a bigger scale. This is where the flexible Ishi really comes in handy. Remember 2 that most artifacts arent 10:1 ratio, thats good to shoot for especially if your making an andice or turkeytail or big Hopewell blade but a good 5:1 or 6:1 is perfect for most Dovetails or lost lakes or anything else you wanna make. Just get the shape then notch it. You DO however want to make sure and thin your base early. OH!! I almost forgot! The best tip Ive been given so far is to ping pong your hits! What I mean is take a flake from the right then the left then the right then the left as you work toward the center. Make your last flake in a series in the middle of the piece and you will snap WAY fewer preforms
I realize this is getting a little long winded so thats all for now.